Grace, Peace, and Thanks to each of you. As you read below, amy you have a fond memory of your own creativity, however it was executed.
Ms. BigPileOfDust is my favorite customizer. The comparison of her work to mine is like comparing the Sistine Chapel to a stick figure. She is an artist, and her work is literal art to its most full meaning. The way in which her paint applications and sculpting not only serve as figural representations of moments in the history of the Buffyverse but also capture the emotion and the beauty of the characters within those moments. She is a customizer and artist of the most pure form, and her thoughts are well worth your time. Read on for more!
1) I think it’s fair to say that you are arguably THE premiere customizer in the 6” Buffy/Angel line. I’ve seen your customs go for hundreds of dollars, and you are a constant source of knowledge and wisdom for all getting in the game. How does it feel to be considered an authority on the matter?
I’m really not any kind of authority. I’ve had no art training apart from watching my mum paint her canvases, so I often don’t know how to guide others with step-by-step instructions.
I have some methods, which I talk about on my website but, when I’m actually sculpting, I work on instinct and that’s hard to explain.
My best advice is never to rest on your laurels and continue to push yourself. You can sometimes make blunders but you don’t learn otherwise. I’ve been experimenting with different media this last year and it has kept my interest alive.
2) Your site boasts pics of several hundred customs. Many of them are listed as now being in other countries, and I know you don’t make duplicates. Is it fair to assume you’re more interested in building a portfolio than a personal collection? How do you feel about the portfolio you’ve amassed so far?
That’s right. My website is my ‘virtual’ collection. I only have 3 pieces which I have kept for myself:
Self-Portrait Sasha, for obvious reasons, and Silver-Coffin SMG, which I like because she’s unobtrusive and can lie horizontally in front of my DVDs.
I seem to have a yen for the landscape dioramas because I have now opted to keep one more figure, from a seminal moment in BtVS. I made it for CustomCon 16. I think it’s my favourite custom ever; sad, romantic and beautiful. I will reveal it in April.
I am proud of my work. I also know my failings. I do see the flaws but I love them anyway. The reason I’m proud is that I can see the progression over the years, the experimentations which led to successes or blunders.
3) What currently unproduced license/property would you most like to see get the action figure treatment, and do you plan to customize it yourself at some point?
There are some shows that I adore, like Battlestar Galactica, but I very much doubt I’ll ever make customs for those shows. I’d most like to see DST make more characters from Whedonverse shows, so that I can use the head sculpts to continue with my Whedonverse customs. For instance, I’m glad Kendra and even Kennedy have been made.
4) As a die-hard collector, how do you feel DST has done with Buffy figure license up to the present? Are you pleased with it? Disappointed? How bout compared to MAC’s figures?
Strangely enough, I’m not a collector. I just see these figures as custom fodder.
As fodder, I’m pleased with the work of DST. They’ve pumped out a ton of stuff and parts of each are excellent. There are other parts which I just put in the bin. Same with MAC.
5) What’s your favorite aspect of customizing and collecting?
As I said, I don’t collect. As a customiser, I get the biggest buzz from the sculpting, because I feel that it is *my* thing in a family full of artists.
My mum is a super artist. My brother was the one who also followed up with doing cartoons and sketches. I was just good with home decorating and colour co-ordination. Even though recent years have proven (to both myself and the family) that I can actually paint well, the sculpting is something that no-one we know has ever done. The general consensus is that I was able to paint through osmosis from hanging around the Powell clan, but the sculpting is something entirely new.
In recent months, I have also enjoyed pushing the design aspect of my creations by using lights and gels. I find it stimulating to ‘engineer’ my projects, with planning and problem-solving.
6) What is the most difficult aspect of customizing for you, and in what ways have you overcome it to complete your projects?
I keep coming back to this but the first venture into sculpting was the biggest leap for me. I made 50 customs before I ever used sculpting clay. I felt fairly confident with limb-swapping and repaints but I was convinced that I wouldn’t be able to sculpt.
When I first tried, it was hard to keep my fortitude. I had been getting good reviews from the forum for my repaints. My early sculpts looked really clunky. The reviews of my new work on the forum and from friends became much more negative. I understood why, but it was so tempting to go back to the safe zone. It was a make-or-break moment for me as a customiser in early 2004. I continued practising and after the first 50 sculpts, my work really improved. That was when I recognised myself as an artist and stopped wanting to be a collector.
7) What is the best advice you would give new customizers? How bout advice for customizers that have been at it but aren’t seeing improvements in their work?
Again, see above! I know that ‘negative’ comments about your work feel like a slap in the face. I’ve felt that slap and still do.
Learn to love the pain. Listen to the comments. Do something about them, if you can, or remember them for next time. You can still improve, even after making 450 customs.
I do notice some people who’s work doesn’t improve, particularly people with great vision and talent but poor technique. I applaud confidence, I have it myself, but you also have to quash your own ego and be open to critiques.
Some customisers misunderstand what is meant by accepting critiques. They thank people politely for their comments and then explain why those comments are unfounded. Those people will make great politicians but won’t ever improve as customisers.
Any product recommendations for art supplies (brands/types of paints/types of sculpting putty) ??
I have a ‘How To’ section on my website:
http://msbig.sashapowell.co.uk/mbframehowto.htm
9) How long do you intend to keep up this hobby?
I think I’ve found my forte in customising. I tried writing, dancing, acting. I tired of each after a few years. After 4 years, I don’t feel tired of customising at all. I don’t even feel tired of customising Buffy. I suspect I’ll eventually segue into just making ‘real’ people or some other type of sculpting, but I suspect this will continue, in some form, forever.
10) Quick last question, Are you going to be making more Firefly/Serenity figures?
Unless I’m making customs for charities or conventions, I only usually make commissions these days.
I do have some Firefly/Serenity customs coming up in the next few months.























